I reached out to D.B. during the tail-end of the pandemic to see if he had any interest in chewing the fat with me about the many projects he's been involved in—Negativa had just put out a new record and it quickly became something I overplayed, which spawned a relatively short discussion as you see it below! D.B. doesn't miss, so check out all of his releases through Negativa, Délirant and Hässlig as well as an ear to the ground with his label Bile Noire… And it goes without saying, if you're not staying up to date with what Mystískaos and Dissociative Visions are releasing, you're just fucking the dog, as far as I'm concerned.
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SHOM: First of all, it’s gotta be said that I have thoroughly enjoyed every release you’ve put out thus far under your many banners—Whether it’s through Délirant, Negativa or Hässlig. How is it you manage to put consistent energy into three different bands?
DB: Thank you and glad you enjoyed them.
I think spontaneity / improvisation play a big role in there. My guitar skills are VERY basic and I know nothing of music theory, so when I pick my guitar there is no other plan than playing and recording some "random" riffs.
I'm sure if I told myself "let's compose some music (specifically) for Negativa instead of simply playing whatever comes naturally, I would have a hard time doing it.
SHOM: A whirring, almost hallucinatory tone seems to penetrate most, if not all of your songs. Is this something that is intentionally done or is it more of a tertiary side-effect when pursuing the type of raw and abrasive sound you have?
DB: It was intentionally done in Délirant as the first thing I did for the album was getting a kind of psychedelic and cavernous sound. Basically, it was inspired by its own production, which worked very nice since I managed to finish the entire thing in 4-5 days.
For the rest of my recordings, I'd say its a non-intentional side-effect.
SHOM: Which one word would you use to describe your general sound?
DB: Negativity? (ha!)
SHOM: If Negativity is the word you’d use to describe your sound, could you say the outcome could be used for positivity? In other words, if negativity was poured into it as a form of creative catharsis, do you believe the listener can use that same energy for their own catharsis?
DB: Well it could be… Only unintentionally though, because you can't "induce a catharsis" with music onto someone else (intentionally), I think—That's something that varies from listener to listener, and only they can feel it... Which is why music is (or should be) made for oneself and not for others.
DB: I actually work as layout designer so that part is among the easy ones, specially for my releases which tend to be pretty minimal on purpose. If you want to check out some of my work: @visionsnoires on IG.
SHOM: Negativa already has a staunch black metal album release in 2022, any plans to release a record this year between either Hässlig or Délirant?
DB: Honestly, it's been close to a year since I picked up an instrument for the last time, so it’s hard to say…
There is a second Délirant album already recorded since the last 2 or 3 years, it's just missing vocals... Demotivation and the lack of mental health have made me procrastinate with it forever and I have no idea when that will be finished. Hässlig EP will come out on vinyl soon but no new recordings so far.
SHOM: Is this due to musical burn-out or other outward forces in your life?
DB: A mix of things. Musical burn-out, unhealthy habits, massive lack of motivation and mental health (as I said earlier), as well as myself not doing anything to help it and medication doing the opposite of its job. Being tired of everything in general.
SHOM: Mystískaos and Dissociative Visions are labels that I try to follow pretty closely. How’s it been working within these esteemed parent labels? Would you say you share common goals/aesthetics?
DB: It was all very smooth from the beginning. I sent them a promo for the Délirant album (which was originally an EP under a different name) with no expectations at all. Surprisingly they replied a few days later saying they were interested and we started discussing different ideas like making it a full length by adding another track (a 4th one) and finding a more appropriate name for the project, artwork, etc.
Later on I started talking regularly with the head of MSK / Dissociative Visions, doing some visual work for the label(s) and sharing my music with them. We share similar views, ideas and musical taste at least, and considering they have released everything I've done after Délirant, I guess they like it.
SHOM: Which artwork have you done (excluding your own bands) for Mystiskaos/Dissociative Visions?
DB: Oh, I haven't done artwork for them. Mostly flyers, some trippy videos for promotion, the Dissociative Visions logo, as well as both MSK and DV websites (which are pretty minimal in design, so not too much to see there).
SHOM: Obviously the Mystiskaos/Dissociative label is heavy with an Icelandic Black Metal approach, would you say your Negativa stuff is directly influenced by this sound or just a slight reflection of it with a host of other influences in the mix?
DB: I don't think so... When I think of "Icelandic BM" the first thing that comes to mind is the production, since most of the stuff coming out from there is produced by the same studio. I mean, all the bands sound exactly the same and I can only relate the term "Icelandic BM" with THAT production, (which got boring pretty fast, but that's another story).
SHOM: If you had to pick out one release of all the releases out through Mystiskaos/Dissociative Visions, which would stand as your most listened to?
DB: Now that's a tough one. Most likely Vonlaus' second EP. Andavald LP would be up there for sure but pretty much all releases are great!
SHOM: Thanks again for chewing the fat with me, looking forward to your next releases and hopefully we'll be back for a part two soon enough!
DB: Of course to both! Thanks!
