Monday, October 13, 2014
This album was submitted to me via email a little while ago with the message: "Hi Chris, a few months ago I asked you for the Leucocis album. I really like it a lot and want to thank you for sending it to me. I'll be doing this in the most risky way possible... Sending you some recordings of my own band. Don't pay for them, if you like 'em I'll send 'em to you."
See, who's to say that spreading music around can't be a self-sustaining beneficiary to the underground movement? It can be, and this proves it fuckface.
The two song EP titled 'waan:hoon' is a warm-sounding collection of sludgy doom with tinges of post-metal riffing and drone atmospherics. The two songs plod along earnestly and fester within whirring guitars and slogging drum patterns that build up to these moments where you want the sledgehammer to be dropped only to be teased by more gnawing doom/drone. I'm please to know the member of this band is a fan of Leucosis too, because few bands of that ilk have impressed me as much as Leucosis has with their venerable and modest catalogue. They are masters at creating palpable tension that finally spawns into a very satisfying peek, to understand this fully, listen to the song Taiga. If Ggu:II follows a similar path then I expect nothing but good things.
Ggu:II - waan:hoon (bandcamp)
(I will update and upload download links upon the bands accordance.)
Sunday, October 12, 2014
A month has passed since my last post, but I'm dusting off the keyboard and getting back to this virtual pit I call Severed Heads Open Minds, which is, at times, a formidable commitment to be consistent with, but I'm trying dudes! * My hat is off to all the blogs that are far more consistent than this one *
A bevy of new releases have fallen onto my lap and into my ears recently, most of those worth dusting off the keyboard for, and as such, I will do just that… First up, Southern Lord's Torch Runner follow up their debut album 'Committed To The Ground' with 'Endless Nothing', a savage offering of filthy downbeat punk/hardcore infused grind distilled into 23 minutes of a supremely pissed-off and raucous audial assault.
I won't be posting a download link to this album as the flack I will inevitably receive is heavy, but the links are out there if you can't afford to buy the album with money.
Endless Nothing (bandcamp)
Saturday, September 13, 2014
Ahh man, it's been too long since an album has sincerely made me want to seek sojourn in the comfort and unpredictability of the woods, in nature among the trees, flora, fauna, grub, moss, leaves, rivers… Well shit, you know how forests work.
Saor's Aura is some of the most gripping and earnest takes on that atavistic type black metal that I like so much, you know the type, rife with that raw and endearing naturalistic potency that lends so much life to the soundscape you can practically feel a fucking pulse. It possesses that arcane ability which seems to speak a whole other language, an elemental language lost and neglected by time. That's deep I know… Let it sink in.
I'm reminded of bands like Myrkgrav, Falls of Rauros, Alda, Kroda, Falkenbach, Wodensthrone and Panopticon, which all have that authentic outdoor presence to them, even though that's brought out in different ways by each of those bands… It feels like a gimme listing Panopticon as an example, since the entirety of the drumming on Aura is provided by none other than Austin Lunn of Panopticon, and to his credit the drumming is notably very well handled, sounding like distant gunfire and cannon fodder spewing out of the Scottish highlands.
Eric Marshall is the lad behind the one-man band and as a solo effort it's quite alright to enlist the talents of guest musicians, and on Aura, he does just that by getting help with the strings, viola, bodhrán and Gaelic female vocals. The dude clearly has a keen sense of Celtic melody and that shines through on Aura with the beauty of the melodies contrasting nicely against Eric's shrill howls, which range from what seem like resonant conversations amongst gods and wartorn distant battle-cries.
It's been a while since an album of this ilk has really galvanized an atmospheric black metal post on SHOM, so enjoy.
Here is that album on Bandcamp
Tuesday, August 26, 2014
Khuda play a super honed in take on psychedelic post-rock with elements of math-rock, post-hardcore and shoegaze. It has the atmosphere of Kokomo, the quirky time signatures of Khann, and a more atmospheric, slightly funky take on something Cloudkicker would dredge up with the slightly bleak, yet uplifting elements of Explosions In The Sky.
As per usual, if you would like to listen to it but can afford the price on Bandcamp, email me and I'll get it to you as soon as I can.
Saturday, August 16, 2014
Bad Energy brings the good energy. Dead Magic brings the living magic. Hailing from where cheese steaks are best (Philadelphia, dummy), one can obtain the grittiness you get when you live in the asshole of the United States, surrounded by abandoned heaps of wood that once stood proudly as somebody's home. I guess I'm really describing where chicken wings are made best (Buffalo, idiot). Though Pennsylvania is pretty gritty as well man. Whatever. This EP is good, listen to it and dig it if you are into punk/hardcore.
If you want good punk from Buffalo though, Brown Sugar and Bad People are killing it.
EP is up for "name your price" on bandcamp, which is pretty much the best thing to happen to music since The Mojomatics introduced a harmonica to their music. If you can't afford anything, input 0$ and enjoy sucker!
Friday, August 15, 2014
I was initially going to challenge myself by reviewing Noia's new album Obstinate Sacrifice while trying not to talk about how much it sounds like a cleaned up version of Venom playing Nuclear Assault songs or how the lyrics should be swapped out for pseudo-human grunts, belches, growls and farts… But I decided against it because I'm already going to be reviewing Midnight's No Mercy For Mayhem for favorite Icelandic human Birkir and his blog Halifax Collect later this week.
• • •
Instead, I give you filth. I give you death. I give to you a split that is actually worth checking out, A Plague Through The Heavens released by Dark Descent Records. Two bands that aren't new to the game, Maveth from Finland and Embrace of Thorns from Greece band together to bludgeon you senseless with their dragged through the muck and fecal decay of the sewers take on black/death metal. I'm sure this is best listened to in the dark, sitting in a pentagram drawn with goats semen but I'm sitting on a park bench withe the sun beaming down on my fucking forehead, and it's still pretty sweet man.
Monday, July 28, 2014
Hmm shit… How do I start one of these things again? This split is heavy, you should listen to it.
Nah, that won't do.
Yeah dudes, I know, it's been a really long time since I've updated anything at all, and frankly my fingertip muscles are rusty, which is a major bummer because my inbox has never been more full of new and exciting shit to post up on here for your sorry ass eyes. I wish I had a really sweet excuse as to why I have been so removed from SHOM, like I was kidnapped by a pack of wolves, dragged into the Taiga forest to learn and hunt with the wolf-pack and howl at the moon all while the opening riff to Wolfchant's "A Pagan Storm" appropriately played in the background, but no man the boring truth is due to a broken "e" on my keyboard. I wouldn't lie to you, the "e" letter key on my keyboard stopped working and I just couldn't be asked to fix it right away. Do you know how many letters have the fucking letter "e" in them? Basically every goddamn shit sucking letter in the English language!
Anyway, I have a lot of catching up to do, and I will do just that with this mega bestial, dragged through the shitter, crusty black metal split from Wöes & Wölvefröst. Both bands bring a blistering paced handful of songs to the split. all of them raw, cloaked in noise, and unrelenting, encompassing a simplified punk-like aesthetic to the structure, but still very much black metal with the crust turned way up.
haha check out that opening riff to the Wöes song "Tyrant King", sloppier than a baby eating mashed potatoes, but it is great, because we are stone cold rebels. My favorite track on the split is by Wöes and it is called "Martyr With A Serpents Tongue". Here is that track;
Preorder it here at Orc Tusk!