Friday, July 27, 2018

Mutilation Rites - Chasm (2018)



•  †  •

Mutilation Rites newest full-length is real pleasant, in a sort of ugly and decrepit kind of way… It's charms are hidden in the mire, under layers of cold riffs and bastille day like war drums as its ferocious commander coughs out commands and chokes on bile. A two-headed beast of black metal and death metal, a not so uncommon amalgam these days, but hey peanut butter and chocolate right (fuck chocolate and mint you psycho).

I'm liking what I've heard off of Chasm so far, I'm sure I could nit-pick but the production is pretty spot on for this ilk, murky. I have listened through Chasm a few times since writing this, each time I have gone back I'm finding another thing to like about it, especially in the wake of those trumpeting icy riffs that sway from galloping to mid-tempo glacial sludge to bang thy brain to and fro.

* It's worth noting Gilead Media has Chasm up on Bandcamp to buy for only $6, that's very, very reasonable and a good halfway point between affordable. It takes money to make a record.

Mutialtion Rites - Chasm (bandcamp)

Thursday, July 26, 2018

The Column - Oracle (2018)



•  †  •

I don't know what to say about this, so I'll leave this post devoid of any significant details or helpful indicators as to whether or not you might actually like this record or not. You will though, but only if you're into low-fi, ambient synth melodies driven underneath post-punk structures... Think Solid Space doing Depeche Mode, doing The Smiths doing drugs and feeling really poorly about it. I just said things that are quasi-relevant so use that at your own risk. Oracle teeters that hairline between bleak and joyful, and sometimes that's how I'll feel and when I do, I'll be listening to this and things like this. Enjoy life kiddos.

The Column - Oracle (bandcamp)

Friday, July 13, 2018

Unified Right - Straight to Hell (2017)


•  †  •

I don't get too excited over newer hardcore albums these days, knowing that it will probably sound like hardcore and that's an okay thing and I'll continue to listen to the old and the new without much interest in chewing any fat or digging through subtleties and nuances of its sound. It's, generally speaking, relatively straight forward.

•  Ω  •

I didn't know Unified Right released a new album in 2017, (again, I was too busy listening to Amenra's "VI") but word finally reached my eyes and ears and played it through like any ol' day. It finished rather quickly (again, hardcore), and once it was done I didn't have a strong opinion one way or another… I mean, I liked it. Forward three or five spins later though, and my opinion of this album was very, very high.

It holds the same structure as most hardcore but it definitely doesn't sound like most umbrella hardcore, likely due to the gruff and off-kilter cadence of Branden's singing -Most comparingly to Ray Cappo of Youth of Today - but there's an array of really cool tom fills, riffs (and solos) and tones floating around this short and devastating heartfelt hardcore album. Incendiary and Unified Right for 2017 maybe?

Too hardcore for smartphone punks. Too punk for clap mosh losers.

Ps; The industry hammer hitting anvil section a minute into 'Consuming Satisfaction' is hard as nails.

Straight to Hell (bandcamp)

Thursday, July 12, 2018

Hooded Menace - Ossuarium Silhouettes Unhallowed (2018)



•  †  •

Hooded Menace huh… let's do it. And by "it" I mean "it", thee it. Let's chew some fat about this monolithic, obese slab of doom/death metal. Let's get down to the bone. Hooded Menace have always  remained a distant blip on my musical radar, and it's weird, because I have liked what I have heard from them, the gamut of their full-lengths, ep's and splits (especially with filthy titans Ilsa), so I'm not sure why I have never really continually gnashed my teeth into their releases, until now, until Ossuarium Silhouettes Unhallowed was released at the beginning of the year, and even though I was (still do) playing Amenra's 'VI' (which was so obviously the best album released in 2017 - I'm currently taking counter-arguments you dinks) I still managed to find time to overplay this new release. Here's a brief and trite incite as to why;

reason 1) It's heavier than a dead dog, reason 2) It's filthier than a pigeon stoop in East Hastings, reason 3) It's produced very well, reason 4) revert back to reasons 1, 2 and 3.

Give this one a few spin cycles, and repent for all your cynicism's.

Ossuarium Silhouettes Unhallowed (bandcamp)

Wednesday, June 13, 2018

Serum Dreg - Lustful Vengeance (2018)



•  †  •

Serum Dreg; Two-piece from Portland, Oregon churning butter into furiously feral death metal with a sewer full of noise and grime. Think heaps of Revenge, flakes of Blasphemophagher, nods to old gnarly shit like Morbid Insulter. With an album name like 'Lustful Vengeance' I have reason to believe the inspiration of its filth and sleaze comes from lecherous sex congregations, like the ones Aleister Crowley would go on about, but probably not though.
Get into it, or don't, it doesn't matter.

Lustful Vengeance (bandcamp)

Tuesday, June 12, 2018

Primal Rite - Dirge of Escapism (2018)



•  †  •

While most of my friends musical tastes have gotten tasteful in their increasing age, shifting from Merciful Fate to Julian Lynch, I have only been regressing and getting more and more troglodytic, trading in psychedelic hooks and shoegazey crescendos for skull-battering floor toms and neanderthal beatdowns. Soon, I will only listen to beatdown hardcore with zero drum fills and no more than a handful of power chords and the vocals will be a series of grunts and belches... and it will be great.

With that being said, exorcise your archaic right to listen to Primal Rite. Crossover hardcore with it all; Thrashier than thou riffs, 80's death metal solo's, disenchanted gang vocals, etc.

Dirge of Escapism (bandcamp)

Monday, June 11, 2018

Ungfell - Mythen, Mären, Pestilenz (2018)



•  †  •

Most pieces of music that fall under the umbrella of folk/black metal tend to scare me away these days, but Ungfell's sophomore release has quelled my fear and restored a flake of trust back into the melding of these genres. The folk elements aren't abrasive and dummied-down caricatures of traditional folk so it weaves into the music well. I've been listening to a bludgeoning amount of gurgly death metal lately, so these shrieky vocals are a good change of pace. Fans of Myrkgrav, Havukruunu, Moonsorrow, will find joy here.

Mythen, Mären, Pestilenz (bandcamp)

Monday, June 4, 2018

Ritual Necromancy - Disinterred Horror (2018)



•  †  •

Yeah dude, Ritual Necromancy have finally released a follow up to their 2012 release Oath of The  Abyss, which was a no gimmick, methodical pummelling in form of glacially paced death metal. Disinterred Horror is a lot of the same, which in this sense is a good thing - death metal is constantly being digested, regurgitated and spewed out with flourishes of new ideas and gimmickry, and that's all well and good but sometimes you want an immovable force that is direct in its approach - Ritual Necromancy have succeeded in every facet of this on this record; suffocatingly dense death metal that tends to stew in its own fecal debris, sloshing around like molasses in a wave pool, forming crests that only barrel over once the putrid gestation process has reached its frothing point.

This, of course, is just an overly convoluted and cryptic way of saying it's heavier than a dead dog. I'm pleasantly reminded of Encoffination, Disma and Sonne Adam. Enjoy it you fuckin' slugs.

Disinterred Horror (bandcamp)

Friday, May 25, 2018

Cruz Somers - Sit & Stare EP (2018)



•  †  •

Cruz Somers EP is a good way not to fuck up 10 minutes of your time. It's glaringly simple fuzzed out punk with a drum machine, which sounds like it should be stale, but it ain't man, it ain't.

Sit & Stare (bandcamp) - name your price

Tuesday, April 24, 2018

DBOY - Prove Your Love; Live in Belem (2018)



•  †  •

There is a rock'n'roll renaissance gestating in the canals of Welland - the centre of the universe, as stated in point #2 of the DBOY 13-point manifesto - and the legion is DBOY so help me god. The manifesto further states in its final point; DBOY is here and now. So get down on your knees and prove yur love to the dominion of sonic oblivion baby!

'Live in Belem' is DBOY's first offering on the sacrificial altar of rock and roll and it's the first step towards ending sonic austerity, the second step is the same as the third and the third is the same as the fourth; DBOY write rock and roll, because rock and roll is what matters. Nothing else matters. 'Live in Belem' is a real fake live album, maybe meaning, it was really recorded live using fake equipment... These details aren't pertinent to the album, all that matters is this; DBOY are a three-piece band and they will remain anonymous. DBOY speak through their rock, and pass on their message through President of the official DBOY Scout Order, Kirill Kutchokokov.

'Live in Belem' is only 24 minutes long, but that's exactly as long as it needs to be; the average human brain can only digest this much rock and roll before it starts to sound like RUSH. This sounds nothing like that. Imagine early Turbonegro had the swagger of CPC Gangbangs with the simple approach to filth and sleaze as The Spits mixed with the raw power of The Stooges... all recorded by that dude in the legendary German band Scooter. It's a three-headed rock and roll lake monster wearing gimp masks, brandishing a guitar that sounds like Muddy Watters got shittered, a raunchy bass tone that's filthier than a pigeon stoop and drums as smooth and sexy as making sweet luv on a waterbed... A sound that is unapologetically Welland.


I got in touch with manager Kirill Kutchokokov and asked him to give me a handful of words about DBOY. His response;

"DBOY is only focused on two things; Sounding cool, and looking cooler. People ask 'what does DBOY mean?' Have they forgotten that the real question is 'What does DBOY mean to you?' or 'why do you deny yourself real sonic and aesthetic pleasure any longer?' Knowing means nothing. DBOY is feeling. DBOY is pleasure through power, and power is sexual, be it sonic or otherwise... What does it mean? Who Cares? Where is it from? Who knows? All that matters is that DBOY is here and now. Enjoy."

I stand in the camp that firmly believes that you only need to hear DBOY to love DBOY and all other deniers are liars until proven guilty and out their fuckin' skull. Lay down and suck him. I'll lick your  little honey twat... little honey pussy.

With open arms from the centre of the darkest hole... DBOY is yours.
Положите и сосите его. Я вылизаю твою медную киску ... маленькую медную киску.

PROVE YOUR L<3VE (band camp)
13-point Manifesto

III

Monday, April 23, 2018

Milk Music - Mystic 100's (2017)



•  †  •

"And you can smoke a mystic 100 with him..."are the last words that can be heard piercing through the reverb laden downward spiral of the intro song, sounding muddy and discordant as all hell, Coxen's vocals howling on like weird recounts from a bad trip... It's weird that this track flows into the second track 'Twists & Turns & Headtrips' because even through sheer contrast and complimentary juxtaposition it sounds like two different songs from two different albums from two different bands especially when the second song is jerked to start out of a sample of game show clapping... It's really weird and it shouldn't work. But it does. And I like it.

I only bring all that up to point out one thing. I have been almost completely bored with most music lately, in particular new music coming out this year. Continuously listening through Mystic 100's has been a temporary anecdote to my sonic banality. It's one of those rabbit hole listens, where the ending is nowhere close to the start, everything is wonky and your perspective hangs by a thread.

Milk Music are special. Not like special olympics special but unique special. Their musical cloth is woven from many threads; Weaving in late 60's psych rock, post-punk drone, a grimy edge from side alley punk and an undeniable ooze of catchy pop hooks. Sometimes sounding poignant and nostalgic like early Replacements or Royal Headache and non-sensical and punchy like Destruction Unit or early Pissed Jeans.

I don't know what it's all about and I like it.

Mystic 100's (bandcamp)

Sunday, April 22, 2018

Cindy Lee - Act of Tenderness (2018)



•  †  •

Haunting. Forlorn. Beautiful. Cindy Lee's musical landscape has always been all of these things, a sonic network woven from a wrenching guitar tone, a bleak synth backdrop and an atmosphere soaking heavily in its own folly, stewing in its sadness, marinating in a maddening pond of dismal thoughts and past hurts. This is what it feels like, mostly. There is always this undeniable undertone of warmth and something comforting about it all though, like any good artist or any good fatalist, it's up to the author to conjure up a feeling of hope, even if it's wishful thinking. Nobody likes a total Nihilist.

Act of Tenderness is just that, tender, but it's also everything above and everything below the heart, sitting in the gut and living in the hippocampus. You didn't even know it was there until now, as you sip from your black coffee you realize that. Look at me now, one moment I was listening to Moonknight's Ligeia feeling absolutely nothing in-particular and now only two songs in on this album I'm my most primordial and pensive self. Form your own opinion and stop caring about what other people think, anyway.

Take a listen.

Act of Tenderness

Also definitely listening to her 2017 release, Malenkost. It's grim as black metal and soft as cashmere.