Void Eater - IIII (2019)

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There's absolutely no surprise that Void Eater's EP IIII is right up my alley, as it's putrid to the bone black/death metal to the point of mummifying in it's own reverb and calcifying under the weight of itself. Too often adjectives are haphazardly thrown around and I am certainly not above it myself, but one would be out of their fucking skull if they were to try and describe Void Eater without using words like; Primeval war-stomp, barbaric body-slam, bestial blood-doner, antediluvian head-kick, troglodytic beat-down, etc, etc.

Everything about this downward spiral of black/death is impressive and far more oppressive than lesser forms mascaraing under the banner of bestial death metal.

Void Eater - IIII (bandcamp)

Heaume Mortal - Solstices (2019)

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Heaume Mortal release a debut record that as from as I have seen has been slapped with the tag of (second wave), and though it delves into this territory the many hands (only 3 pairs total) grab at many genres. Black metal? Sure alright, but there's a whole roundup of sludge abound on here and nuances of doom, death, and maybe even a thin veneer of the darker side of hardcore floating about – Which all makes sense as the guitarist comes from the really great French sludge band Eibon and the singer cut his teeth in the blackened sludge band, Cowards.

There's many ways to cut a watermelon so I'll save the boring details for the refrigerator repair man (not an actual adage) but simply to the point; What we have here on Solstices is a brooding atmosphere swaying to and fro through some really great riffs, really great sounding drums, vocals and all that other stuff that makes noise sound like music.

Heaume Mortal - Solstices (bandcamp)

Combust - The Void (2019)

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Very good tough guy New York hardcore. Heavyweight riffs and a kick drum that sounds like a 44 caliber round hitting a church bell all while neanderthal vocal incantations call the majority out for being kitten soft sheep. This is an easy listen if you're in the mood for a stomp or dumbbells are around.

Combust - The Void (bandcamp)

Krypts - Cadaver Circulation (2019)

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Krypts has been consistently releasing good records since their inception in mid 2000, but the latest, Cadaver Circulation might be them at their best, full stride death metal married with the plodding gait of doom, giving their songs a more thought-out heaviness over the atypical smash and grab heaviness that is standard fare for typical death metal. There's nothing typical about Krypts and no real missteps to take note of on Cadaver Circulation, and there's definitely nothing subjective about how good this is, if you don't like it for whatever reason, just know that you're wrong and your life is probably boring and you might be a dummy idiot. Finland remains relevant.

Krypts - Cadaver Circulation (bandcamp)

Contaminated / Kutabare Split (2019)

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I've been listening to Contaminated's debut album Final Man more than anything else in the last couple months, and though its release was in 2017 I can't find any reason that I missed it when it came out. I'm remiss. Everything within the wall of cavernous death metal is right where I want it, layers of begrimed tones stacked over a guttural churn that is often a troglodytic bellow cutting through super crunchy guitar tones, bloated and fetid while the drumming ranges from plodding dirges to a mirky standard death metal grooves with cymbals that somehow manage to sound really good cutting through the blanket of mire conjured on this begrimed beast from down under. Up there with my favourite death metal albums right now.

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Contaminated have also released a one-song split with Kutabare this year worth mentioning, even though it's only mere minutes both songs are worth a listen as they both managed to pack unequivocal ferocity into each track, respectively. I'm in.

Contaminated - Final Man (bandcamp)

Contaminated / Kutabare - Split (bandcamp)