Demon Bitch - Hellfriends (2016) 🇺🇸 | Skol Records

•  †  •

‘Hellfriends’ is spastic and raw plummet through the obsidian archways of early heavy metal, albeit completely jagged with a very limited reverence for conventional structure, sounding something between early Slough Feg in need of a Ritalin shot and a sloppier Mercyful Fate in full chain mail. There's a resounding energy flowing through every song, as if it were floor recorded and off the cuff. It's a stark and welcomed contrast to the overly produced and mechanically prepared acoustics typical within newer heavy metal…

Despite Fenriz shouting these guys out every chance he gets, the 530 Monthly Spotify listeners is no indication of the galactic supremacy they very well deserve… hopefully after this post it will go up to 532 monthly Spotify listeners?

“There are no words, just rock n' roll.
Keeping me stranger, and keeping me loud!”

Demon Bitch - Hellfriends (bandcamp)

Ara - Gurre (2022)

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Channeling the same austerity and heft as was circling around the fjords of Norway in the 90’s black metal sound, Ara (meaning “Era” in German) ride under those same black banners—Evincing a similar raw power through a bottom of the barrel production and a flurry of icy tremolo picking.

It’s form over function and it sounds PRIMITIVE! A thousand other bands released albums in 2022 that tried to do the same thing, but few captured Gurre’s ability to do more with less. This has been flying under the banner of most from what I can tell… I think it's a great black metal album with a grimy punk tinge to it. Recommended for fans of Okkultokrati, Bone Awl, Raspberry Bulbs, etc.

Ara - Gurre (bandcamp)

Leucosis - Leucosis (2013)

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This is a record that's been put up on here before but it's high-time for a re-up since it's been buried by a swath of posts that have come after. Leucosis' self-titled output from 2013 is the bands pivotal release, in my opinion—Its heft hasn't been dulled by the years one fucking bit! It remains a force of brute and murky doom metal flanked by a raw and oppressive black metal, unpolished to the point of practically having a veneer of patina over every track.

Albums are often over-credited with being monolithic without actually having an over-bearing power or stature. Leucosis' self-titled is a towering monolith, with a running time of something like 75 minutes. It's a weighty vestige to second-wave black metal with a backbone of doom, often serpentining throughout itself with pure dirge, crawling and atmospherically devastating.

This whole album is exemplary but its shining achievements are what puts it above its contemporaries. Those being the way is was produced and mastered—raw and gritty. Moreover, the way the drums sound in particular is unlike anything I've heard before. It sounds improvisational and the timbre of the kick sounds burly and under-produced… which results into something completely unconventional. SOUNDS LIKE A HAMMER FROM HELL!

Leucosis - Leucosis (bandcamp)

Ærekær - Avindskjold (2019)

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I can't recall if I have already posted about these guys back when they released their first full-length back in 2018—Blowing right passed the process of writing and recording a demo or EP this Danish duo launched themselves into the sonic stratosphere via a full-length album rife with atmosphere and tonality through a musical cloth woven from early 90's black metal and soundscapes that traverse the entire range within dungeon synth.

Ærekær's sound is the perfect amalgamation between something that sounds both abrasive and pleasant—An abstruse combination of compelling synth arrangements that feel entangled in some other realm backed up against a barrage of caustic and raw black metal.

This is one of those instances where words feel like they fall flat… I can throw a slew of adjectives into this paragraph but it feels like it doesn't matter. Simply put, if you're a fan of densely atmospheric, ambient black metal there isn't a single reason I can conceive why you wouldn't like this. Listen through!

Ærekær - Avindskjold (bandcamp)

MORTUUS INFRADAEMONI - Inmortuos Sum (2022)

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This record came out a few days ago through the always promising Iron Bonehead Productions, and since then, I have been listening to it every day picking it apart in my head. At first I thought this was going to be another black/death record with a penchant for the avant-garde, but upon the 4 minute mark of the first song (excluding intro) it was clear to me that this album was going to wonder around in some weird musical territory. Which it does. It lives there.

After over a decade deep sleep, MORTUUS INFRADAEMONI return with a third album and its fucking banner is already hanging in the halls of great black metal records! Inmortuos Sum exists as a strong pastiche to 90's black metal, with a sound that nods to all the progenitors and early adopters but not without heavy experimentation—Obscure sonic landscapes are painted with bubbling atmospheres thick with angular and bubbling guitars building upon that putrid energy of the past but not withholding the nuances of influences that come from the newer legions like Funereal Presence, Cultes Des Ghoules, Spirit Possession or Warloghe. With the added experience from their early days in Germany's Lunar Aurora. Great band with a great track record, in my opinion. 

An off-balance freneticism often found in these newer acts permeates each track, moving feverishly between blistering, cold and garish into something slow, gurgling and decaying. It's a balance often failed by over zealous bands who don't take the time to understand the how and why of these sounds. Anyone around long enough can tell the difference. Thankfully the drums on this record are mixed perfectly, sounding as drums should, primitive and trance inducing…As is the whole production, murky, raw and potent!

•  Ω  •

If you're a fan of both old and new Darkthrone I can see no good reason you can't get into Inmortuos Sum. It has the entire wide-range of influence both Fenriz and Nocturno Culto cultivate and utilize. 

MORTUUS INFRADAEMONI - Inmortuos Sum (bandcamp)

Negativa - 04 (2022)

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It's been in black metal's DNA to be dissonant, harsh and cold, but this record takes those fundamentals and beats you over the head with it for 40-straight minutes, which to those of us who beckon punishment, pounce on it like a werewolf.

Spain's Negativa has channeled these characteristics with aplomb throughout their entire discography, and the result of it has amounted to some of the densest black metal around today—Invoking a wall of sound built upon cascading guitar tones that whirr and drone between war hammer drums which favour force over speed and vocals that struggle to penetrate a thick layer of fog and noise.

•  Ω  •

It hearkens back to last years output by Voidsphere and Sulpur, both of which released albums in 2021 that were in my top 10—Which might say something about how highly I regard this particular form of black metal, spirit inducing and relentlessly oppressive. Don't sleep on this record, unless you want to be a dummy idiot, then go right ahead.

04 is 'Name your price' on Bandcamp, put that coffee money to something worthwhile and toss these guys (and their label, Mystískaos) a few bucks and help keep the underbelly of metal well lit!

Negativa - 04 (bandcamp)
Download (Zippyshare)

Crypt Lurker - Baneful Magic, Death Worship & Necromancy Rites Archaic (2013)

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Every now and then, I'll glance backwards towards critically overlooked albums and resuscitate them for a few more gasps of life through this blog—That's more-or-less the function of this blog, pointing a shaky finger to the albums I like and hopefully giving them some more life.

Crypt Lurker were a flash in the pan of filthy and bloated doom metal from the outskirts of Liverpool, England, and their sound was a gargantuan accumulation of perfectly executed doom metal which flitted around the murky waters of sludge to breathe life into a genre that's more often than not way too clean with very little essence and hardly any depth.

Baneful Magic, Death Worship & Necromancy Rites Archaic is without none of those flaws, it's an incredibly heavy plod through serpentining tunnels of slowly churning guitar riffs, that flicker between the reverb drenched riffs of Witchfinder General to something even murkier, giving birth to something that reminds me of New Zealand's Meth Drinker—Caked in grime and molasses paced.

The drums on this album are spot on, the toms sound bulky and the cymbals sound like actual drum cymbals… Bonus points for using the bell on the cymbals appropriately. Listen to the 01:40 mark of 'Bearer of Two Torches' if there is any confusion. It's a kidney shot to the world of doom and sludge that these guys split-up shortly after, but this EP will live on forever!

Crypt Lurker - Baneful Magic, Death Worship & Necromancy Rites Archaic (bandcamp)

Hässlig - Guillotine (2021)

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Somehow this debut release completely flew under my radar all of last year until a few weeks ago, where I have been over-listening to it ever since. Crude and primitive black metal punk a la a similar attack as Raspberry Bulbs and Bone Awl, with emphasis on raw aggression and a firm grip on how to effectively use unpolished riffs and chord progression to take something simple and make it compelling. I found this through the reliability of the Mystískaos bandcamp page, check it out or forever be a dud!

Hässlig - Guillotine (bandcamp)

Direct Threat - Direct Threat (2021)

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There was a decent crop of angry and demented hardcore that was released in 2021 (omitted from my best of list mostly due to the amount of good metal albums floating around last year and the length in which these albums ride under—10-15 minutes) and this self-titled (demo?) is among them. 10 minutes of righteously pissed off hardcore with a sound that is just as much raw punk. Chomp down on this!

Direct Threat - Direct Threat (bandcamp)

Best metal albums of 2021—Top 30

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Before I dig into my top picks for 2021, I reached out to a few familiar faces within the sphere of metal and got them to send me the albums they dug the most this year. I told them the rules for the list are pretty flippant. Here's what they sent me:



Horus aka James Brown III (Harassor, Moonknight, Vorpal Sword, Rising Beast Recordings)



* In no particular order 
10) Stormkeep - Tales of Othertime

09) Trhä - Endelhëtonëg

08) Tardigrada - Vom Bruch Bis Zur Freiheit

07) Circle of Ouroborus - Kiromantia

06) Sadness - April Sunset

05) Kuka'ilimoku - Pahu O ka Ua

04) Zhmach - Euphoria Never Leaves

03) Kêres - Flaming Ash

02) Mooschops - Adventures Above the 61st Parallel North

01) Fugitive Wizard - Obscuri Æternum



Artur de Carvalho (Forever Cursed—Best underground metal blog laid to rest (R.I.P.)


10) The Devouring Void - Hypnagogic Hallucinations


Holy shit I just realised these guys are from Portugal as well.. fuck me!

09) Sermon of Flames - I Have Seen the Light, and It Was Repulsive


Repulsive as fuck

08) Carcinoma - Labascation


Good shit from the UK

07) Gosudar - Morbid Despotic Ritual


Some good OSDM shit from Russia

06) Koldovstvo - "Ni Tsarya, Ni Boga"


Great entrancing BM

05) Fuoco Fatuo - Obsidian Katabasis


Feels like being swallowed by a black hole


04) Qrixkuor - Poison Palinopsia


A two track, total 48 minutes of filthy obscure DM? Yes please


03) Lykhaeon - Opprobrium


A more traditional approach to BM as we know it, still a banger though)

02) Labored Breath - Dyspnea


A fucking trip into the bowels of the most insane BM you’ll hear this year


01) Reverorum ib Malacht - Svag i Döden


I know these guys have released two albums this year, but I’m a huge fan of this approach

A.L.N. (Mizmor, Hell)

07) Emma Ruth Rundle - Engine of Hell

06) Hoverkraft - Schwebende Musik

05) Vouna - Atropos

04) Grouper - Shade

03) Walt McClements - A Hole in The Fence

02) Andrew Black - Welcome Home

01) Yautja - The Lurch



Mattias Alagna (Abstracter)



06) Filth Chasm - Demo 2021

05) Apostasy - Death Return

04) Grinning Death's Head - Cataclysm

03) Altarage - Succumb

02) Antediluvian - The Divine Punishment

01) Moonscape - Monolith

Big thanks for those that contributed!



•  †  •


Another year down the hatch. And another year where I am certain beyond a shadow of a doubt that I have overlooked a few releases (I always do) but I'd say this year in particular I have a pretty firm grip on the records that impressed me the most—I can say that in order to whittle the list down to 30 I have made some hard omissions, but that's just the nature of the beast! Pretty heavy on the black/death metal releases, which either speaks to the quality of the release or where my palette is at. It really doesn't matter, here's what moved me in order:



30) Forsman - Dönsum í Logans Ljóma (Ván Records)



Another example as to why Icelandic black metal is legitimately one of the most consistent and innervating within the second wave of black metal.







29) Abstracter - Abominium (Sentient Ruin Laboratories)



A dizzying descent into a mix of well articulated doom blackened crust, doom, sludge and sonic overall sonic hostility. 

28) Tentation - Le Berceau des Dieux (Gates of Hell Records)



An absolute nod to the old days of heavy metal and a hell of a debut.



27) Divide and Dissolve - Gas Lit (Invada Records)



2-piece doom metal enveloped in a thick cloud of doom. Hits hard and feels significant.



26) Stormkeep - Tales of Othertime (Van Records)



Much like Havukruunu, Stormkeep have managed to capture all the elusive grandeur found in pagan black metal and dungeon synth without succumbing to the frivolity often found in it.



25) Concrete Winds - Nerve Butcherer (Sepulchral Voice Records)



Fast and dizzying death metal with very intentional glances towards grind and thrash. Pretty Spot on!



24) Wanton Attack - Wanton Attack (Black Writs Records)



A potent mix of early heavy metal rife with gritty duelling guitars and speed metal vitatlity!



23) Suffering Hour - The Cyclic Reckoning (Profound Lore Records)



Suffocatingly heavy death metal from a label that knows a good thing when it sees it. I don't think this record has any weak spots.



22) Vorpal Sword - Omens (Rising Beast Recordings)

The best account of blown out raw black metal I heard all year! A pastiche of noise punk, experimental ambient and shoegaze—It's perplexing how something so abrasive and corrosive in nature can be perceived as beautiful, but it does.

21) Sermon of Flames - I Have Seen The Light, and It Was Repulsive (I, Voidhanger Records)



A bubbling cauldron of cacophonous death metal infused with sludge, crust, doom and black metal with  incredibly devastating pace.

20) Ekulu - Unscrew My Head (Cash Only Records)



Nailed down New York Hardcore with a heavy grip on 80’s metal. Why even bother with Turnstile?

19) Labored Breath - Dyspnea (Sentient Ruin Laboratories)

A spiralling churn of death metal infused black metal pushing through a feral wall of sound that straddles the line of the obscure and barbaric. 

18) Labor Intvs - Sunken Crucible (Unsigned/Independant)

This has got to be one of the most overlooked albums on this list. Some of the nastiest death/black metal releases this year heavily exploring elements of doom and the underground obscure.

17) Mork - Katedralen (Peaceville Records)


Mork have pretty consistently been the best example as to how we can still successfully draw from the nearly dried up well of 90's black metal, and this year on Katedralen they prove that point yet again with a bullet.


16) Phrenelith - Chimaera (Nuclear Winter Records)

Massively over-looked death metal in my opinion. Phrenelith aren't exactly incorporating anything new into their sound, but somehow they manage to sound like nothing else—A black hole of dynamic death metal with reverence to the underground. Some of the best drumming on a death meal album this year?

15) Succumb - XXI (The Flenser)

Incredible death metal with Cheri’s possessed vocal belch being the backbone of what makes them unique from their contemporaries. I'm so glad they didn't fuck this up.


14) Fuoco Fatuo - Obsidian Katabasis (Profound Lore Records)



Crushing funeral doom with a lot of mid-tempo death metal influence that will drag you through an hour of some of the most potent and unyielding metal this year. A full listen through of this colossus will leave you bereft and beaten, just the way we like it.



13) Big Brave - Vital (Southern Lore Recordings)



Big Brave's suffocatingly plodding doom intertwined around a whirring mix of reverb-ladened guitars and vacuous space comes full-force on Vital. Beauty and brutality.


12) Koldovstvo - Ni Tsarya, Ni Boga (Unsigned/Independant)

Atmospheric black metal with heavy emphasis on the atmospheric, bordering on ambient or shoegaze. Incredibly raw, visceral and avant-garde with a lot of uncertainty surrounding any information around the band. It's hard to explain, but theres also this inexplicable feeling that comes over me when I listen to this album… Like I am slowly being consumed by madness. A mix of euphoria and malaise. 


11) Altarage - Succumb (Season of Mist Underground Activists)



This release can hang with any of the aforementioned in the department of ferocity and heaviness, clocking in at over an hour of downright unfettered black/death from Spain. 

10)  Defacement - Defacement (I, Voidhanger Records)


Back when I talked about this release earlier in September I said "This is one of those albums that drags you through the abyss—A serpentining downward spiral through cavernous death metal that is equal parts technical, murky and experimental." Yet another album of extremely high caliber that has been buried amidst an ocean of sub-par music with high pay-grades and a full marketing team throwing petals at their feet. Stick with this, you'll thank me later.


09) Fyrnask - VII - Kenoma (Ván Records)

Fyrnask have been quietly creating some of the best atmospheric black metal around for over a decade now and VII - Kenoma is at the helm of it all. Powerfully melodic and thought provoking—Something between Misþyrming, Ash Borer, Morne, and Bölzer. 


08) Voidsphere - To Overtake, To Overcome (Amor Fati Productions)



Spirit inducing black metal that takes shape through blistering riffs built upon a wall of sound. One of the best uses of atmospheric ambience, dense but not without melody or purpose. These Prava Kollektiv guys sure know how to write a record.

07) Warloghe - Three Angled Void (Northern Heritage Records)

Dizzying black metal from the nether, ugly, brutish and filled with cold riffs! I'd even go as far as saying some of the best riffing I heard in a black metal album all year, this is pure fucking armageddon.


06) Portal - Avow (Profound Lore Records)

Portal remain thee lords of hypnotically plodding and nauseating death metal. Lovecraftian obscurity in sonic form. This is up there with my favourite Portal has ever released—It sounds like a lobotomy. And It feels like a nauseating decent into the abyss. Encompassing. 


05) Sulpur - Embracing Hatred and Beckoning Darkness (Amor Fati Productions)

Blown-out black metal doing everything MGLA does but even colder. A barrage of eerie riffs against a galloping tempo with some of the best sounding cymbals in the genre.



04) Darkthrone - Eternail Hails…… (Peaceville Records)

Has everyone forgot about Darkthrone? Hardly any mentions of Darkthrone this year… Am I the only one who loves the direction they’re moving in? I still think they're one of the most important bands in all of music right now. Three decades later and they’re still moving a worn-out genre into new territory. 



03) Qrixkuor - Poison Palinopsia (Dark Descent Records)



One of the most crushing death metal albums released in 2021. Two songs of obscure death metal that drag you through a serpentining labyrinth of riffs that sound like a spiral into your own absolute insanity. Much like the Defacement release sitting at my number 10, this album is and was way under-appreciated for how good it is. I'm not sorry to sorry to say it, but it's more dynamic and crushing than 99% of the other releases that pass off as death metal. 

02) Antediluvian - The Divine Punishment (Nuclear War Now! Productions)

Few try (with little success) to be as primitive and feral sounding as Antediluvian, its not something that can (or should) be contrived. It needs to come from a festering open wound or a sincere disapproval with some inner or outward force. The Divine Punishment is a pantheon in where these negative forces can live—A barbaric pile of forward-thinking death metal built upon an altar of whirring guitars, abyssal vocals and drumming that sounds like none of its contemporaries. Plodding, perverse, esoteric and entirely new.



01) Lykhaeon - Opprobrium (Repose Records)


Bestial death metal married with black metal and doom is hardly a new concept within the walls of metal, but very few albums are able to traverse new and refreshing soundscapes the way Opprobrium successfully does—An overtone of of ritualistic rites and dirges permeate the many layers of this album as you're dragged through a swath of of musical landscapes, all  equally barbaric and mind altering. The best metal release of the year for me for sure, not a single flaw to be found.

Warloghe - Three Angled Void (2021)

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Warloghe's newest album Three Angled Void came out of the fucking abyssal ether, without mention or promotion. A spectre out of nowhere carrying a barrage of frozen riffs and a landscape built around pillars of jagged guitars and drums that don't feel any compliance to the constant blast-beat quota which might seem ubiquitous in the genre. Not to say you won't find any of that on here, you will, but it's not heavily leaned on—In fact, the drums are mixed in perfectly to my liking. Pure abominable class!

It's not unlike me to say this, but it's exceptionally rare for me to listen to an album and know right off the opening track that it will be a favourite of mine… There's always massive disappointments and pitfalls, but Warloghe is Warloghe, and every so often there are sure things. Three Angled Void is that. One of the best black metal albums released this year, in my opinion, and will be overplayed into oblivion for the rest of the year and well into the next. Cold chaotic energy.

As of right now, no streams or bandcamp downloads are available. But I will link a download to the album courtesy of the esteemed Finnish Black Metal blog.

Warloghe - Three Angled Void (DOWNLOAD)
Warloghe - Three Angled Void (YouTube)

Sesso Violento - Mondo Perverso (2021) [EP]

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Incredibly janky and blown out punk with a black metal backbone that manages to find a good foothold in sounding catchy and bleak at the same time, despite being so stripped down and crude. Emphasis on primitive energy instead of aesthetic and pretension. Sonically it mashes these influences in a way that is less like Ash Borer and a lot more like early Raspberry Bulbs, highly recommended for fans of this ilk!

Sesso Violento - Mondo Perverso (bandcamp)

DEFACEMENT - Defacement (2021)

•  †  •

This is one of those albums that drags you through the abyss—A serpentining downward spiral through cavernous death metal that is equal parts technical, murky and experimental. 'Defacement' touches upon black metal in more ways than one, notably drawing from the well of the second wave of black metal as its reach has almost become ubiquitous in the sphere of forward-thinking underground metal.

As is always the case with anything I, Voidhanger Records, their is an inherent energy to be found on 'Defacement', something completely ambitious and janky, with a structure that is far more freeform and gelatinous than it is formulaic. Atmospherically it is bestial and primitive with emphasis on dissonant churning guitars, cavernous vocals that don't pierce through the mix in a typically garish way and a drum sound that is mixed in just right and played with the velocity of a meteor shower. The inclusion of ambient passages isn't always an accepted accent in my palette, but on 'Defacement' its presence gives the album space and a sense of purpose beyond barbarity.  

Something between a cross of Mitochondrion, Chaos Moon, Yellow Eyes, Portal, Altarage, etc. 

DEFACEMENT - Defacement (bandcamp)

Odious Devotion - Ilmestys (2021)

•  †  •

Here's a recent release from Finland. The album cover might confirm a few deductions right off the bat for you if you're the type of person who likes to read into things—Ilmestys is a well articulated barrage of cold, atmospheric black metal with a penchant for the raw, albeit not crude, soundscapes typical to its ilk. 

I am glad the Fins still know how to take a promo shot, too. 

The bulk of this album is constructed off the traditionally black metal sound typical to the Finnish exploration of the genre but splintered throughout this album are some excellent explorations that either bolster its heft and contribution to the black metal sound in a multitude of ways and I'm fully on board. Get on board and let me know what you think on your way out!

Odious Devotion - Ilmestys (bandcamp)

Sulpur - Embracing Hatred and Beckoning Darkness (2021)

•  †  •

Here's another Amor Fati Productions release that is cold as hell and well worth your attention! Embracing Hatred and Beckoning Darkness is the debut album from Sulpur, which (as of now) has no known information about the band, further bolstering its obscurity. Second wave black metal that hearkens back to the early 90's in a lot of ways but feels much less influenced by the early sounds of thrash and speed metal that the earlier progenitors latched onto—Instead Sulpur drinks from the same well as MGLA, Algor, Lluvia, and many of the Icelandic black metal bands (to name a region) wholly dedicated to this style built on a blistering tempo and a dense, frigid soundscape.

The songwriting here is essentially without any flaws—the riffs come in fast and cold as a witch tit, the drums are mixed perfectly down to the splash cymbal and even the pickup on the bell is right where it's supposed to be. The same can be said about the vocal work, which makes use of some nice versatility. No single track dips below the 7-minute mark and there isn't a single moment on this album that I could reasonably consider filler, nothing stale here, just blistering black metal that has done everything right. One of the best I've heard this year so far.

Sulpur - Embracing Hatred and Beckoning Darkness (bandcamp)

Skeleton - Ordainment of Divinity EP (2021)

•  †  •

There are really only two things I am certain of in this world:
1) Nothing really matters.
2) Skeleton are keeping the underground lit.

A follow-up EP to their staunch debut LP has recently been released by Austin, Texas' Skeleton and it's a forward lunge into the sonic soundscape of the incredibly raw and already unfiltered sound of the band—which had no qualms trading proficiency for energy and cohesion for a crackling atmosphere. They doubled down on Ordainment of Divinity when it comes to the production, going even further into a blown out production, especially within the drum sound, denting the fidelity as much as possible to a point where the sound is as ghastly as it is garish.

•  Ω  •

I think a lot of people will be disappointed with the decision to mess with the production to the extent in which they did but I think fans of the eponymous debut album will be even more slighted that most of the festering grooves on the debut have mostly been traded out for a barbaric ferocity with much more black metal than thrash/hardcore influence this time around. Me, I still like it. I think an EP is exactly the right time to start threshing around sounds and I think they really nailed a lot of it… The intro track sounds like a medieval funeral dirge and the way it bleeds into the first song is right up my alley! No apologies.


Skeleton - Ordainment of Divinity EP (bandcamp)

Spectral Wound - Frigid and Spellbound [Single] (2021)

•  †  •  

Spectral Wound has never really been big on my radar, but from Profound Lore's reputation and track record alone I'll listen… Also Quebecois black metal has its own staunch reputation worth paying attention to. I'm not going to make any claims off this single alone, that would be a hackneyed response… But the pre-order album on bandcamp has evidently been doing alright for itself.

Spectral Wound - A Diabolical Thirst (bandcamp)

Diocletian - Darkness Swallows All EP (2021)

•  †  •

Diocletian have been pummelling peoples ears into submission for the last decade and with their newly realized 'Darkness Swallows All' EP the band is looking to turn a corner after 'Amongst The Flames of a Bvrning God'. New Zealand has proven to be a gestation ground for bestial sounding death metal with bands like Vassafor, Heresiarch, Witchrist, Vesicant and Diocletian at the helm of all the chaos. Vassafor's 'To The Death' release last year was among one of my favourites, just ugly!

But this new EP from Diocletian seems to be cut from a cloth of death metal that is at its core even more raw and even more crude than that of their opus "Gesundrian'…which a lot of the time, is a welcomed force in terms of my taste… This time, I'm not too sure. One thing is certain, It's an absolute far cry from the sheer ferocity a band like KNEEL were able to impose on their 3-song EP last year.

I'm posting this one up for the vultures to feast on, as for me, I am unsure of the direction these brutish Kiwis are taking. All is fair in love and war.

Diocletian - Darkness Swallows All (bandcamp)

Lure - Morbid Funeral (2020)

•  †  •

This was just unearthed on Halloween and I don't think it's too early to call this one of my favourite purely black metal records of the year. Lure consists only of Pierre Perichaud, an accomplished illustrator and tattoo artist within France and evidently knows his way around writing frigid forward-thinking black metal. I know this is technically supposed to be a demo and all, but this is 45-minutes of some of the best black metal you'll hear all year. I want to say the last time I enjoyed a purely black metal release this much was when Akitsa released 'Credo' in 2018… or maybe I'm just being obstuse.

•  Ω  •

This is exactly what I'm looking for in black metal today, which might lend itself to the fact that I'm pretty tired with most things passing under the banner of black metal these days. I don't think myself some jaded purist who is stuck in the past of a genre spinning its wheels, it's just that when it comes to something as down-trodden as black metal or death metal I want to hear something straddling the line of paying homage to the intended essence of the genre while simultaneously finding new ground. Lure's 'Morbid Funeral' does exactly that for me with absolute poise. The production is spot on, murky enough to still sound good but it's sure as shit cold, raw and feral sounding. The vocals are another really strong point of what make this record so great, shrill and dismal as they battle through a wall of churning guitar riffs and drum fodder… It feels lame and trite to dig into the details of vocal-work, but really, just listen to the range of emotions being summoned by Pierre here, it sends shivers down your fucking spine.

Only 250 copies of these were pressed and sold out pretty quickly and I'm seriously bummed I missed out on this limited run. If you snagged one, lucky you. If you snagged one and want to trade though, let me know. This album is 'Name your Price' on bandcamp right now, you'd be out of your skull not to shill out a few bucks to support an often thankless gig. Dig in!

Morbid Funeral (bandcamp) 

Contaminated / Kutabare Split (2019)

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I've been listening to Contaminated's debut album Final Man more than anything else in the last couple months, and though its release was in 2017 I can't find any reason that I missed it when it came out. I'm remiss. Everything within the wall of cavernous death metal is right where I want it, layers of begrimed tones stacked over a guttural churn that is often a troglodytic bellow cutting through super crunchy guitar tones, bloated and fetid while the drumming ranges from plodding dirges to a mirky standard death metal grooves with cymbals that somehow manage to sound really good cutting through the blanket of mire conjured on this begrimed beast from down under. Up there with my favourite death metal albums right now.

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Contaminated have also released a one-song split with Kutabare this year worth mentioning, even though it's only mere minutes both songs are worth a listen as they both managed to pack unequivocal ferocity into each track, respectively. I'm in.

Contaminated - Final Man (bandcamp)

Contaminated / Kutabare - Split (bandcamp)