Leucosis - Leucosis (2013)

•  †  •

This is a record that's been put up on here before but it's high-time for a re-up since it's been buried by a swath of posts that have come after. Leucosis' self-titled output from 2013 is the bands pivotal release, in my opinion—Its heft hasn't been dulled by the years one fucking bit! It remains a force of brute and murky doom metal flanked by a raw and oppressive black metal, unpolished to the point of practically having a veneer of patina over every track.

Albums are often over-credited with being monolithic without actually having an over-bearing power or stature. Leucosis' self-titled is a towering monolith, with a running time of something like 75 minutes. It's a weighty vestige to second-wave black metal with a backbone of doom, often serpentining throughout itself with pure dirge, crawling and atmospherically devastating.

This whole album is exemplary but its shining achievements are what puts it above its contemporaries. Those being the way is was produced and mastered—raw and gritty. Moreover, the way the drums sound in particular is unlike anything I've heard before. It sounds improvisational and the timbre of the kick sounds burly and under-produced… which results into something completely unconventional. SOUNDS LIKE A HAMMER FROM HELL!

Leucosis - Leucosis (bandcamp)

Cer - The Conjuration of Nebula (2022)

•  †  •

The Conjuration of Nebula has seemingly flown under everyone's radar and it's a crucial misstep because Cer's newest (and apparently last) output has done all the right things, and has done them with total fucking control! Two tracks running three-quarters of an hour of blown-out ambient black metal annihilation.

The entire aural experience is drenched in a lo-fi tonal warmth, dancing between hypnotically dissonant chords and drums that sound like they're out of the metazoic period—Raw and primordial. Nothing is being reinvented on The Conjuration of Nebula but it redoes what's been done by many, albeit with considerable consideration towards the power of simplicity and not doing too much. This blend of mesmerizing black metal is best when it's given space to breathe and just be crude. I just bought this for a few bucks, give it a listen and consider doing the same if you can afford it.

Cer - The Conjuration of Nebula (bandcamp)

Festung - Der Turm (2022)

•  †  •

Well articulated raw black metal drawing from a deep well of sonic intentions running the gamut of dungeon synth, ambient black metal, atmospheric black metal and I'd even make the argument for an early black metal/punk inclusion somewhere in the fray as well. This album as a sound is definitely monolithic but the length too is a monolith, standing in at 80 minutes of towering black metal, which only serves to bolster the immensity of it as a whole. This was one of those listens that instantly gripped me and impressed from the start to its billowous end… This comes highly recommended, don't sleep on it!

Festung - Der Turm (bandcamp)

Μνήμα - Disciples of Excremental Liturgies (2022)

•  †  •

I wasn't privy to black metal noise terrorists, Μνήμα's new album until I found it through the esteemed Arson Cafe's newest post—If you're not aware of his spot already, bookmark it because he's one of the very last bastions of defence when it comes to keeping the underground lit, and further more, putting words and flavour into what is normally rife with banality and feigned interest into blogs, zines and websites that rely on promotion more than integrity.

•  Ω  •

I digress, Μνήμα have finally committed to a full-length album after a deluge of EP's and Demo's have been released since 2017, and it's more of the same assault on your auditory meatus, but with more tact and focus on letting the melody poke through the wall of screeching reverb and commotion. I can imagine old fans of Μνήμα being divided into two camps when it comes to this decision: Those that oppose their decision to refine their sound, and those that are not in opposition at all.

Me, I'm on the former, as I am sure most fans of Μνήμα are. It's not as if this choice has fundamentally changed their sound… Μνήμα are still incredibly raw and blown out, and the predilection to infuse traditional black metal with even more noise is still prevalent and in some cases even bolstered. Disciples of Excremental Liturgies is not casual listening, its inherent goal is in alignment with early black metal, a complete and utter rebellion to clean sound, and though they have taken a few liberties when it comes to the purity of black metal, it's still just and isolating as it needs to be to retain its potency. Go head first into THE BLACK VOID!

 Μνήμα - Disciples of Excremental Liturgies (bandcamp)

Vorpal Sword - Omens (2021) [Demo]

•  †  •

My comrade and crony for all things reverb soaked Dream pop/Shoegaze has released another gem of uncompromisingly raw black metal under the prolific umbrella of his label, Rising Beast—And not unlike everything else he puts out, it's right on the fucking money!

Omens musical landscape is one with sparse foliage or places of refuge amidst the expanding sprawl of heavily blown out black metal, that is in personality and ethos, equal parts raw and musing—But it's terrain isn't totally devoid of life, not at all, peppered throughout the hanging guitars and thick fog of noise are delicate ambient passages (created by the Korg Monotron?) which offer a brief respite from the proverbial sonic deluge. It's all very intentional and cohesive. Now without being pedantic, the love Horus has for dream/noise pop and shoegaze are on full display here, with absolute tact and grace. 

If you're unfamiliar with Vorpal Sword, check it out. And while you're at it, check out everything else under the banner of Rising Beast and toss in a few bucks into whatever strikes you down—Do your part in keeping the underground lit!

Vorpal Sword - Omens (bandcamp)

DEFACEMENT - Defacement (2021)

•  †  •

This is one of those albums that drags you through the abyss—A serpentining downward spiral through cavernous death metal that is equal parts technical, murky and experimental. 'Defacement' touches upon black metal in more ways than one, notably drawing from the well of the second wave of black metal as its reach has almost become ubiquitous in the sphere of forward-thinking underground metal.

As is always the case with anything I, Voidhanger Records, their is an inherent energy to be found on 'Defacement', something completely ambitious and janky, with a structure that is far more freeform and gelatinous than it is formulaic. Atmospherically it is bestial and primitive with emphasis on dissonant churning guitars, cavernous vocals that don't pierce through the mix in a typically garish way and a drum sound that is mixed in just right and played with the velocity of a meteor shower. The inclusion of ambient passages isn't always an accepted accent in my palette, but on 'Defacement' its presence gives the album space and a sense of purpose beyond barbarity.  

Something between a cross of Mitochondrion, Chaos Moon, Yellow Eyes, Portal, Altarage, etc. 

DEFACEMENT - Defacement (bandcamp)

Qrixkuor - Poison Palinopsia (2021)

•  †  •

Qrixkuor have had what some might call a tumultuous upbringing, with a forced hiatus in activity  spurred on by multiple changes in cast and location, a debut album has been long on the horizon of the abyssal plane… but that debut album, Poison Palinopsia, is finally upon the altar. For us to play judge and juror. Appreciator and benefactor.

In lieu of being too verbose, Qrixkuor's changes have seemed to irrefutably benefit the overarching sound and direction of the band, and with the addition of New Zealand's revered V. Kusabs (of Vassafor, Irkallian Oracle, Temple Nightshade, etc.) at the helm of song-writing you would sure as shit have to bet on the sonic scope of Poison Palinopsia to be a downward spiralling mix of cavernous death metal and black metal with tinges of doom and other various forms of entropy.

•  Ω  •

This is some seriously heavy shit. A 50-minute, two track plunge into a hallucinatory ether of mangling guitar chords, bestial drums that punish every inch of cymbal and skin with a sadistic, schizophrenic like fervour, and a vocal delivery by S that has its own personality crisis, matching the same intensity and barbarity as Teitanblood or Swallowed. Since there are only two monolithic tracks, each song has ample room to explore atmospherics and space, in way of tempo shifts or fugacious ambient passages (none of which are sampled but individually conjured and recorded) that explore sepulchral like tones.

The production isn't as overall murky as others of this ilk, but suffice it to say it completely evades that plastic like shit with no dynamic range and maintains an overall sound that is both utterly bestial, yet coherent. It's a welcomed and perfectly delivered execution. With no shortage of letdowns, missteps, nice tries and copycats, Poison Palinopsia delivers a breath of fresh air in a genre that has seen a recent resurgence! Fans of Mitochondrion, Teitanblood, Bestia Arcana, Grave Upheaval, Spirit Possession, etc. will find much to appreciate on here, so get towards the bands bandcamp page and do your thing.

Qrixkuor - Poison Palinopsia (bandcamp)

Failure Ritual - Total Weakness (2015)

•  †  •

A while back I posted 'Apathy' which is only 1 out of the 5 records the absolutely ambiguous Failure Ritual put out in 2015, this is just another one of the 5 records released suddenly by Failure Ritual on the 19th of October. 

•  Ω  •

A harrowing downward spiral of experimental black metal that places heavy emphasis on repetition and the exploration of aural space—weaving dense fogs of crude riffing and drumming overtop mesmerizing ambient passages that tread into weird territory, inducing a hallucinatory trance like state. I don't think I could put this side by side up against anything else and claim similarities, there's nothing that sounds like this. This comes highly recommended!

Failure Ritual - Total Weakness (bandcamp)

Amulets - Blooming (2021)

•  †  •

You know when you go out for sushi and you eat a fresh piece of ginger in-between your meal as the sort of palate cleanser to maximize the impact of flavours between bites? Blooming is the sonic equivalent to that practice. At least when it comes to the curation of this blog and what it is I choose to post in-between what. It can't just be a consistent deluge of black/death metal posts… you should take the palate cleanser.

•  Ω  •

What Blooming is is a floating audio piece comprised of mixing ambient drone, shoegaze, experimental electronic, tape loops—Utilizing the imperfections of analog tape to traverse a soundscape that leaves the listener quite open to its own interpretation. Whenever something is presented minimally, we will often use the empty space to fill in whatever emotion or thought we experience in that thing. The same could be said of Blooming—It's an open black room, and you're free to move around in it in anyway you see fit. Enjoy.

Amulets - Blooming (bandcamp)

LLNN - Unmaker (2021)

•  †  •

Danish post-hardcore and sludge outfit, LLNN, are trying to get back to what they accomplished on one of the better releases in 2018 (among good company) with their new full-length, Unmaker. LLNN draw from a wide well of musical influences, pulling from their ambient soundscapes that serve to maintain an atmosphere, almost lulling and mollifying the listener before an inevitable wave of crushing metallic hardcore (with a prominently post-hardcore angle) and sludge berate the ear canals. It's forward thinking, but not wholly unique, but it's a welcomed breath of fresh air in a overcrowded palette of other bands trying to do the same thing and falling short. We only have two songs to go by now, until it releases in September, but I remain optimistic. 

LLNN - Unmaker (bandcamp)

Rorcal & Earthflesh - Witch Coven (2021)

•  †  •

Collaborations don't always pay off, and more often than not I find myself indifferent to the attempt, which maybe has more to do with how I am a fatalist contrarian with no cause and no guiding star rather than the material itself. In this case, I'm for it. Much like when Merzbow teamed up with Full of Hell a few years back, the absolutely raw and grating ambient soundscapes of Earthflesh lend an even thicker layer of density to Rorcal's already crushing mixture of Doom, sludge and post-hardcore. The output is a two-track release running 30 minutes in length and it's worth your time if you're looking for something to assault your auditory senses with great heft. 

Rorcal & Earthflesh - Witch Coven (bandcamp)

Midwife - Luminol (2021)

•  †  •

The Flenser has been an incredibly reliable merchant in the world of sonic satisfaction for a long time now and I don't think any of that is going to change moving forward—Music begrimed in reverb and a penchant to delve into strange territory will always have a home here.

And with that Midwife, both begrimed in reverb and strange in its own right. Madeline Johnston commits her dissonance through a musical cloth which has been woven through threads of magnificently bleak guitar tones that often give way into something beautiful and dark with the help of a thick atmosphere of reverb, feedback and warm ambiance. Often serene and calm but with an omniscient feeling of dread and malaise. I don't think its through way of self-deprecation or a fatalistic outlook that Madeline chooses her austere landscape but through way of her own self-critique and disenchanted mindset when it comes to life's many riddles and follies. For fans of Sister Grotto, Planning for Burial, Lightning Bug, Drowse and Whirr.

Midwife - Luminol (bandcamp)

HIDE - Interior Terror (2021)

•  †  •

HIDE are a noise based duo from Chicago that are carving their way into the fray with a reeking blend of hypnotic electronic wrapped in a thick wall of pulsating noise which serves to unearth sounds that make the listener feel supremely uncomfortable. Much like how The Body use driving bass and drums to evoke discomfort, HIDE take it in a multitude of different directions that range from the fetid industrial dirge of early Pansonic to the post-punk noise of the perfectly executed Daughters record from 2018. This won't be for everyone, this won't even be for most, but a small amount of you masochistic sycophants will somehow for some reason derive a sick pleasure in the sounds from Interior Terror. I'll listen to anything coming out of the Dais Records library, I guess.

HIDE - Interior Terror (bandcamp)

Ars Magna Umbrae - Apotheosis (2020)

•  †  •

It's a bit early on this one, as its set for release in late August and as of now there's only one song up on the bandcamp page, but Ars Magna Umbrae released an uncompromising slab of slavic sounding black metal back in 2018 called Lunar Ascension and it was mostly overshadowed and or overlooked. Polish black metal that's built up on layered dissonant riffs that wade through an icy terrain of ambient passages and a crude and cosmic atmosphere, very little to not like here. I, Voidhanger Records continues to be reliable!

Apotheosis (bandcamp)

Obscuring Veil - Fleshvoid to Naught (2019)

•  †  •

This album has me floored currently. A monolithic slab of avant-garde black metal with a personality crisis and a gargantuan amount of enigma wafting around itself. Obscuring Veil is wholly comprised of venerable musicians from around Europe all cut from varying fabrics of musical cloth, and the musicianship is starkly reflected on each harrowingly twisting track. Obscuring Veil combined is the minds of Wormlust, Death Fetichist, Gnaw Their Tongues, Nattsol, Ævangelist, Ljáin, Craft, Chaos Moon, etc. etc. There is notably some accounting for taste to be made, and yet something created that is bigger than the sum of its parts.

I can throw a bunch of adjectives your way, but I'll distill it all down to this, Fleshvoid to Naught is suffocatingly abrasive, tragically heavy, magnificently eerie, devastatingly hard to digest and devoid of all commonality. I'm all in.

Obscuring Veil - Fleshvoid to Naught (bandcamp)

Sinmara - Hvísi Stjarnanna (2019)

•  †  •

Icelandic metal has garnered the attention and reverence of many, predominantly in the underground bestial arenas–most likely, I would imagine, due to the intellectually impetuous execution of the sound and the brazen Icelandic ethos when it comes to writing music (I've had my ear to the ground with Icelandic music since my visit in 2010 and have attended multiple Iceland Airwaves festival since) and their unmatched ability to amalgamate between sounds and influences in a way that remains true to its purist form while pushing boundaries in a way that fails to be contrived.

Let's quickly pay heed to all of Iceland's impressive successes within the last few years;

Sinmara, Svartidauði, Misþyrming, Kaleikr, Wormlust, Ljáin, Carpe Noctem, Naðra, Zhrine, Mannveira, Örmagna, Almyrkvi, Auðn, Skáphe (partially)

Notable company for a windswept country of only 300, 000.

•  Ω  •

Sinmara's latest Hvísi Stjarnanna is proving to be another Icelandic release worth paying attention to this year. As I write this I have only listened though it's entirety once so far, and I'm liking everything I hear… Though I questioned if I would prefer a slightly murkier production (a la maybe Misþyrming) for this ilk but It's quite in line with their previous releases which proved to be on the money. I digress, nit-picking aside, Hvísi Stjarnanna is a formidable beast in the realm of forward-thinking black metal among the upper echelon of Icelandic metal.

Hvísi Stjarnanna features whirring guitars that pirouette through a curtain of dissonant riffs that often bloom into these bright flourishes which lend a melodic atmosphere amidst the bludgeoning backdrop of drums and fills–I like the use of the cymbals to bolster rhythm beyond the skins, something that metal cut from this cloth underutilizes in my opinion… The vocals are what you'd expect, but that's not to undersell them, it's well met and mixed in in a way that doesn't overbear and snuff out the brooding atmosphere that dips and swells throughout.

I found myself notably impressed with the bridge at 04:07 on the track 'Crimson Stars', is there a whiff of Bel'akor like melody to be heard? Maybe. Probably not, but I find myself impressed to find it on here nonetheless.

I will be posting more new Icelandic metal in the days to follow. Enjoy it, or don't.

Sinmara - Hvísi Stjarnanna (bandcamp)

Ragana / Thou - Let Our Names Be Forgotten (2018) [Split]

•  †  •

I'm about as familiar of Thou as I am with the irrelevant process of taking in oxygen, it's a warm type of familiarity that seems to have been omni-present for half of my life… Unlike breathing, which I have only been cognizant of doing for the last couple years, before that it was just drawn' in shallow breath after shallow breath, without giving life any real thought. I digress, Thou have been around a while, prolific you might say. Hard working, you may even add. Consistent too. They also released 'Magus' this year too, a full-length that is making a strong case for album of the year to me.

Ragana, not so much. At least in the sense of being omnipotent and prolific… That's not to stomp on their parade and call it a rainy day or nuthin', Ragana have put out a few great records… You just can't win that kind of number game against Thou.

I'll keep this short now. Ragana and Thou combine for 35 minutes of barbarism in sonic form. Happy Hallow's eve kiddos. †

Ragana/Thou 

Cindy Lee - Act of Tenderness (2018)

•  †  •

Haunting. Forlorn. Beautiful. Cindy Lee's musical landscape has always been all of these things, a sonic network woven from a wrenching guitar tone, a bleak synth backdrop and an atmosphere soaking heavily in its own folly, stewing in its sadness, marinating in a maddening pond of dismal thoughts and past hurts. This is what it feels like, mostly. There is always this undeniable undertone of warmth and something comforting about it all though, like any good artist or any good fatalist, it's up to the author to conjure up a feeling of hope, even if it's wishful thinking. Nobody likes a total Nihilist.

Act of Tenderness is just that, tender, but it's also everything above and everything below the heart, sitting in the gut and living in the hippocampus. You didn't even know it was there until now, as you sip from your black coffee you realize that. Look at me now, one moment I was listening to Moonknight's Ligeia feeling absolutely nothing in-particular and now only two songs in on this album I'm my most primordial and pensive self. Form your own opinion and stop caring about what other people think, anyway.

Take a listen.

Act of Tenderness

Also definitely listening to her 2017 release, Malenkost. It's grim as black metal and soft as cashmere.

Khuda - Molasses Constricts The Clinostat (2014)

Khuda play a super honed in take on psychedelic post-rock with elements of math-rock, post-hardcore and shoegaze. It has the atmosphere of Kokomo, the quirky time signatures of Khann, and a more atmospheric, slightly funky take on something Cloudkicker would dredge up with the slightly bleak, yet uplifting elements of Explosions In The Sky.



As per usual, if you would like to listen to it but can afford the price on Bandcamp, email me and I'll get it to you as soon as I can.

Khuda Bandcamp

Judd Madden - Everything In Waves (2014)

Judd Madden is a person. And, Judd Madden is a one man band. His impressive ant colony like work ethic is made apparent through the discography of the band; 7 full-length albums in the span of 5 years, and all of his releases are available for free download on the bandcamp page, what a gentleman! I bet you he donates to beneficial charities and helps old women cross the street too.

Instrumental sludge/doom at it's center, with some post-rock and THC soaked riffing to bang thy skull to. The guitar tone is washy and hypnotic but remains mega crunchy and those drums sound like fucking hells cannon fodder. Listening to this album makes you want to shotgun beers while riding on a woolly mammoths tusk into a snowstorm. It has cool artwork as well.

Toss a buck or two, or if you're broke enter $0, it is to my understanding that the downloads through the bandcamp page still help support the artist.

Judd Madden bandcamp