Suffering Hour - The Cyclic Reckoning (2021)

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Here we go again, Profound Lore doing what Profound Lore does better than almost any other record label out there, consistently putting out releases within the umbrella of metal that is forward-thinking, hard hitting and unequivocally true to its cause. In the case of Suffering Hour, the trio out of Forest Lake, Minnesota, are emerging into the new year with their sophomore album, The Cyclic Reckoning, and they are punching way above their weight.

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This new album is a monolithic tower of black/death metal, trading between genres with purpose and force, and the concocted energy as well as atmosphere are forces that emit an untapped barbarity through serpentining black metal chords, pummelling drums and a combined vocal output that sounds sheer… At times summoning the same ferocity as Death Fortress, which if you know me, is a volatility I appreciate in something flying under the banner of death metal. Only two songs have been released so far… but I'm sure as hell paying attention.

Suffering Hour - The Cyclic Reckoning (bandcamp)

Kringa - Feast Upon The Gleam (2019)

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I've posted Kringa on here before and I'll continue to do so so long as they keep making forward thinking second-wave black metal like this. Severely underrated, underrepresented, understand? Probably not, but that's okay, because you're here now reading this and within a few choice and overused adjectives I'll force your hand into looking into Austria's underbelly gemstone, Kringa and their debut LP Feast Upon The Gleam.

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Okay so now for those choice adjectives. Cold as a witch tit.
That's one.

Secondly, despite each chord, snare pop, and shrill bellowed being coated in Austrian frost, the overall feeling is one of ennui and pandemonium which is only in emphasis by the raw way in which this was recorded and mastered, which we (I) here appreciate accordingly. It's raw but not at all flat in its dynamics, I don't know man, I didn't goto music class, but it sounds like a rock n' roll gas station! Listen to the middle of the track 'Eroding Passage' for the summated experience, riffs haphazardly clanging together while the most simple drum pattern somehow is more fitting than a typical blast beat, and Kringa knew that and so did Neil Young. The split vocal deliveries from Spectres and Teeth standout in that they run the gamut from a frail and flimsy howl to orator of an underground sewer cult. This album is full breadth and creativity within the arena of black metal.

Go forth and listen.

Kringa - Feast Upon The Gleam (bandcamp)

Krypts - Cadaver Circulation (2019)

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Krypts has been consistently releasing good records since their inception in mid 2000, but the latest, Cadaver Circulation might be them at their best, full stride death metal married with the plodding gait of doom, giving their songs a more thought-out heaviness over the atypical smash and grab heaviness that is standard fare for typical death metal. There's nothing typical about Krypts and no real missteps to take note of on Cadaver Circulation, and there's definitely nothing subjective about how good this is, if you don't like it for whatever reason, just know that you're wrong and your life is probably boring and you might be a dummy idiot. Finland remains relevant.

Krypts - Cadaver Circulation (bandcamp)

Contaminated / Kutabare Split (2019)

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I've been listening to Contaminated's debut album Final Man more than anything else in the last couple months, and though its release was in 2017 I can't find any reason that I missed it when it came out. I'm remiss. Everything within the wall of cavernous death metal is right where I want it, layers of begrimed tones stacked over a guttural churn that is often a troglodytic bellow cutting through super crunchy guitar tones, bloated and fetid while the drumming ranges from plodding dirges to a mirky standard death metal grooves with cymbals that somehow manage to sound really good cutting through the blanket of mire conjured on this begrimed beast from down under. Up there with my favourite death metal albums right now.

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Contaminated have also released a one-song split with Kutabare this year worth mentioning, even though it's only mere minutes both songs are worth a listen as they both managed to pack unequivocal ferocity into each track, respectively. I'm in.

Contaminated - Final Man (bandcamp)

Contaminated / Kutabare - Split (bandcamp)

Inculter - Fatal Visions (2019)

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There's a lot to like about Inculter's 'Fatal Visions', predominantly among them being, it rips hell. No questions asked. Bridging the gap between thrash, speed, black metal and metal punk. Stop asking questions and just get behind this already or forever be a whore. So get into it.

Inculter - Fatal Visions (bandcamp)

One Step Closer - From Me To You (2019)

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Evidently this month has turned up hardcore here on SHOM, and that's very much okay from my perspective and if you don't like it start your own music blog dinker. I bought a new Rega Planar turntable yesterday and I'm all diamond hard about it as I currently have my CPC Gangbangs record locked and loaded on it sounding like the perfect example of punk being more rock n' roll than 99% of rock n' roll.

But this post is about One Step Closer not CPC Gangbangs, and this short but emotionally charged album (EP?) of hardcore affected by the heart strings will do the trick if you're into listening to something that plays out like Have Heart, Bane, Verse and hues of Shai Hulud with a heart on the sleeve approach. Brings me back to my salad days.

One Step Closer - From Me To You (bandcamp)

Moloch - Love Songs (2019)

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Moloch and Severed Heads Open Minds have a long and consistent history throughout the inception of this blog, in all of its gestation periods, I have posted up Moloch albums on here a few times since 2012 and even interviewed a few of the members a long while back. For some reason I'm always reminded of Meth Drinker, and I'm not too sure why the two bands are always in the same conversation with me, but it's likely to do with the absolute immensity each of their songs have while retaining this crust of pure filth draped over each song; Completely fetid and bloated sludge, no strings, no gimmicks, no frills and certainly no regard for your well being.

With that being said, here's a measly two-track EP from Moloch for you to suck on, until there is more.

Moloch - Love Songs (bandcamp)

Deflect - Mass Delusion (2019)

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Found these Deflect a couple years back when they released the EP Downward Spiral and wasn't entirely sold upon first spin, I remember that much… something about the vocal cadence and delivery was off-putting, which is funny, because it's exactly those things that I like most about Deflect now. First Impressions are wolves in sheep clothing and should be questioned rigorously before entering the gates to poison your well. The vocal cadence and off-kilter howl is the refreshing take against the backdrop of Deflect (much like Unified Right), which plays a blend of hardcore, pulling stylistically from 80's thrash and punk with a sound and approach that still lends itself to sounding unique and interesting in a musical arena where the walls have been battered and pounded by copycats.

Deflect - Mass Delusion (bandcamp)

Triumvir Foul - Urine of Abomination (2019) [EP]

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Going to throw up a few EP's into the blog piss pot for you slugs to sip on and Urine of Abomination is the soup de jour for today. Unfettered death metal filth as grimy as a pigeons basement and as loving as a cornered wolverine high on PCP is this 16 minute blast from Triumvir Foul, a band that seriously succeeds in serving up death metal deep from within the sewer gutters of the sonic atmosphere. The totality of its intensity is bolstered by how raw and unpolished it all sounds as if its been floor reordered deep within a salt cave. It goes without saying that I've been enjoying this one, and how about the drummer loving to ride the bell on his cymbals… slimy.

Triumvir Foul - Urine of Abomination (Bandcamp)

Kaleikr - Heart of Lead (2019)

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Icelandic metal has garnered the attention and reverence of many, predominantly in the underground bestial arenas–most likely, I would imagine, due to the intellectually impetuous execution of the sound and the brazen Icelandic ethos when it comes to writing music (I've had my ear to the ground with Icelandic music since my visit in 2010 and have attended multiple Iceland Airwaves festival since) and their unmatched ability to amalgamate between sounds and influences in a way that remains true to its purist form while pushing boundaries in a way that fails to be contrived.

Let's quickly pay heed to all of Iceland's impressive successes within the last few years;

Sinmara, Svartidauði, Misþyrming, Kaleikr, Wormlust, Ljáin, Carpe Noctem, Naðra, Zhrine, Mannveira, Örmagna, Almyrkvi, Auðn, Skáphe (partially)

Notable company for a windswept country of only 300, 000.

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Kaleikr were instantly interesting for me, being that they are another metal band from the quiver of Iceland, a new metal band to sink my teeth into and digest and judge, to enjoy or condemn, etc. In summation, once I noticed the progressive tag slapped to the pigeon-holing process of applying genre tags to music, I winced and cringed, mostly because most pieces of progressive music I'm turned onto never really strike any chord with me or are too farcical to take seriously. That being said, I am still no stranger to the genre so I kept my closed-mind open-minded.

Kaleikr's take on fusing death metal, doom, black and flourishes of the grandiosity of atmospheric pagan metal with the tumbling structure of progressive metal has been thoroughly enjoyable. Heart of Lead manages this concoction with an expertly ease, an acumen in genre melding; At times i'm reminded of something like Panopticon and Saor (mostly akin to the drumming nature), to Be'lakor and the psychedelic tinged moments of Wormlust, etc, etc.

Before I get to verbose with my keyboard fingers, I'll leave this post with this and only this; Though things of this sonic nature are slightly under my own personal radar these days, I dig almost everything in and around Heart of lead, a very tight debut, at the very least. 

Kaleikr - Heart of Lead (bandcamp)

Cara Neir - III / IV (2019)

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This album has quickly worked its hooks into me; Discordant jangly guitars bounce around a cavern of technical drumming, weaving out odd time signatures with prickly rhythms against a barrage of shrieky growls. The combined method is bizarre, throwing everything in the blender from post-rock and math-rock to black-metal and D-beat. Something to that effect. It as a whole is actually really difficult to nail down, and it's brazen attempts to meld everything together is confusing, but it's refreshing, and I'm enjoying the experience of listening to its entirety. Which is the whole point, right?

Name your price on bandcamp. Enjoy, or don't.

Cara Neir - III / IV (bandcamp)

Sinmara - Hvísi Stjarnanna (2019)

•  †  •

Icelandic metal has garnered the attention and reverence of many, predominantly in the underground bestial arenas–most likely, I would imagine, due to the intellectually impetuous execution of the sound and the brazen Icelandic ethos when it comes to writing music (I've had my ear to the ground with Icelandic music since my visit in 2010 and have attended multiple Iceland Airwaves festival since) and their unmatched ability to amalgamate between sounds and influences in a way that remains true to its purist form while pushing boundaries in a way that fails to be contrived.

Let's quickly pay heed to all of Iceland's impressive successes within the last few years;

Sinmara, Svartidauði, Misþyrming, Kaleikr, Wormlust, Ljáin, Carpe Noctem, Naðra, Zhrine, Mannveira, Örmagna, Almyrkvi, Auðn, Skáphe (partially)

Notable company for a windswept country of only 300, 000.

•  Ω  •

Sinmara's latest Hvísi Stjarnanna is proving to be another Icelandic release worth paying attention to this year. As I write this I have only listened though it's entirety once so far, and I'm liking everything I hear… Though I questioned if I would prefer a slightly murkier production (a la maybe Misþyrming) for this ilk but It's quite in line with their previous releases which proved to be on the money. I digress, nit-picking aside, Hvísi Stjarnanna is a formidable beast in the realm of forward-thinking black metal among the upper echelon of Icelandic metal.

Hvísi Stjarnanna features whirring guitars that pirouette through a curtain of dissonant riffs that often bloom into these bright flourishes which lend a melodic atmosphere amidst the bludgeoning backdrop of drums and fills–I like the use of the cymbals to bolster rhythm beyond the skins, something that metal cut from this cloth underutilizes in my opinion… The vocals are what you'd expect, but that's not to undersell them, it's well met and mixed in in a way that doesn't overbear and snuff out the brooding atmosphere that dips and swells throughout.

I found myself notably impressed with the bridge at 04:07 on the track 'Crimson Stars', is there a whiff of Bel'akor like melody to be heard? Maybe. Probably not, but I find myself impressed to find it on here nonetheless.

I will be posting more new Icelandic metal in the days to follow. Enjoy it, or don't.

Sinmara - Hvísi Stjarnanna (bandcamp)

Death Fortress - Reign of the Unending (2018)

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Death Fortress were heinously late to the end of the year release bukake party in 2018 putting out Reign of the Unending December 26, 2018 but I still squeezed them into my top 30 year-end list because Death Fortress sounds like a stadium of troglodyte brutes scrapping over mating rites to a gurgling harem of virgins.

it's a dense wall of churning bass and guitars, both dizzying and ferocious, weaving in and out of cannon-fire like drumming in an arena where the orator is a gargantuan ancient beast, snarling proclamations of cosmic war and  misrule. J. Aversario's vocal belch is what drives the sound beyond its predecessors (in terms of heft) and what makes it almost a grinding chore to get through its entirety… and yes, I do mean that as a good thing.

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I have yet to buy this album on bandcamp, but as per usual with Fallen Empire Records, this album is set to a 'name your price' option which is more than generous considering labels have to pay for; Production/mastering, studio, artwork/layout, pressing/distibution, website, on top of other miscellaneous costs… 'name your price' download is essentially free if you input $0, but at the very least input a $1 to show a modicum of appreciation for the DIY, and then take it further and browse through the rest of the venerable Fallen Empire catalog and buy those as well. Give what you can, and you'll be richly rewarded by Belial. I'm going to be buying this album as soon as I post this (among others).

Death Fortress - Reign of the Unending (bandcamp)

Whiplash - Power And Pain (1986)

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Here's an album from the crypt of thrash and early crossover, Power And Pain from New Joisey. This is quintessential crossover from the mid 80's and there isn't a goddamn speck of misstep to speak of, the process and execution are equally simple; Fast, loud and hard as nails. Whiplash, bud.

Whiplash - Power And Pain (download Zippyshare)

The Haunting Presence - The Haunting Presence [EP] (2015)

Let's get down to the brass tacks (which is a term I think means to get down to the cold hard facts), Hells Headbangers is the most consistent label to be putting out albums abundant in savagery, filth and sleaze. These sounds take form prominently in the genres of death, black, doom and heavy metal. So far this year, Hells Headbangers has something close to twenty releases as of this posting (April 08, 2015), all of them persistently good, all of them keeping the din of the metal underground brightly lit and all of them repulsive in their own right.

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The Haunting Presence has taken my auditory-meatus hostage, submitting the canals of my eardrums to the hymns of barbarity and decay and its intrusion is a welcomed presence. I'm going to forgo all the buzz words in my lexicon to describe this EP, in fact, I'm going to forgo all the words in my lexicon to describe this release, instead I'll leave an embedded link to the album right here:

The Haunting Presence (listen/download/buy)

Caveman Cult - Rituals of Savagery [EP] (2014)

Found this sucker buried in my email inbox. Filthy death metal married with feral black metal flowing through the same abscessed vein as Teitanblood, Proclamation, Weregoat, Heresiarch, Archgoat, Wrathprayer, etc.

It is a suitable soundtrack to listen to whilst charging through the gates of Babylon in search for Persian scalps or while you're sitting on the shitter reading your subscription to "Satanist's Quarterly".

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I was given the link to the EP by thee dank dudes at WORHT Records, check them out and throw 'em some cash if you are touched by their venerable collection of filthy tunes.

Caveman Cult (Bandcamp)

Dark Times - Give (2014)

Really good female-fronted punk from Oslo, Norway. I am not going to dip into the well of platitudes with this one because my hangover requires hydration but I will say this; Dark Times aren't your run of the mill, stripped down punk band… Stripped down yes, but they have a sound to call their own and an eclectic delivery to their sound that frees them from the clutches of "heard this before". It was produced by Pål Bredrup, who also produced Okkultokrati and Haust with that same basement grime charm I've been into lately. This album will fit in with your crusty lifestyle.

Bandcamp (buy)
Zippyshare (listen)

Encoffination - Hear Me, O' Death (Sing Thy Wretched Choirs) (2014)

Hear Me, O Death (Sing Thy Wretched Choirs) is aptly named because this album sounds like a heinous funeral march, crawling and plodding much like death itself, scraping away years off your life with each listen. Encoffination have always been about lurching through tracks with a molasses like consistency, moving slower than old people fuck and hitting harder than a dull axe to the face, but this album is exceedingly slower than the rest…

The riffing is slow-cooked in delay and reverb and the vocals are of a brittle guttural secrete, basically gurgling and belching in an almost near death type phlegm coated whisper. It makes me want to clear my fucking throat and bang my head around like an abiding peon of the underdark.


Hear Me, O' Death (Sing Thy Wretched Choirs) on bandcamp

Bad Energy - Dead Magic EP (2014)

Bad Energy brings the good energy. Dead Magic brings the living magic. Hailing from where cheese steaks are best (Philadelphia, dummy), one can obtain the grittiness you get when you live in the asshole of the United States, surrounded by abandoned heaps of wood that once stood proudly as somebody's home. I guess I'm really describing where chicken wings are made best (Buffalo, idiot). Though Pennsylvania is pretty gritty as well man. Whatever. This EP is good, listen to it and dig it if you are into punk/hardcore.

If you want good punk from Buffalo though, Brown Sugar and Bad People are killing it.

EP is up for "name your price" on bandcamp, which is pretty much the best thing to happen to music since The Mojomatics introduced a harmonica to their music. If you can't afford anything, input 0$ and enjoy sucker!

Dead Magic

Maveth & Embrace of Thorns - A Plague Through The Heavens [split] (2014)

I was initially going to challenge myself by reviewing Noia's new album Obstinate Sacrifice while trying not to talk about how much it sounds like a cleaned up version of Venom playing Nuclear Assault songs or how the lyrics should be swapped out for pseudo-human grunts, belches, growls and farts… But I decided against it because I'm already going to be reviewing Midnight's No Mercy For Mayhem for favorite Icelandic human Birkir and his blog Halifax Collect later this week.

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Instead, I give you filth. I give you death. I give to you a split that is actually worth checking out, A Plague Through The Heavens released by Dark Descent Records. Two bands that aren't new to the game, Maveth from Finland and Embrace of Thorns from Greece band together to bludgeon you senseless with their dragged through the muck and fecal decay of the sewers take on black/death metal. I'm sure this is best listened to in the dark, sitting in a pentagram drawn with goats semen but I'm sitting on a park bench withe the sun beaming down on my fucking forehead, and it's still pretty sweet man.

  

A Plague Through The Heavens (Buy + bandcamp)