Showing posts with label Everlasting Spew Records. Show all posts
Showing posts with label Everlasting Spew Records. Show all posts

Saturday, May 21, 2022

Assumption - Hadean Tides (2022)




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In the arenas of doom/death metal, Assumption are a brutish juggernaut of sheer force and gargantuan magnitude, wielding —Hadean Tides was officially uncaged yesterday and its presence is a seismic amalgamation of glacially paced doom with bouts of frenzied death metal peppered throughout.

As I search my skull for fashionable adjectives and pithy aphorisms to describe this I can't help but think of Convocation's debut album "Scars Across". It's equally as crumbling and bulky in its weight, with emphasis on a slow churn and plodding rhythms, albeit with flickers of a gallop but never quite hitting a sprint. Kudos to the artwork being the underbelly version of a Turner painting, bang on!

Assumption - Hadean Tides (bandcamp)

Saturday, July 11, 2020

Convocation - Ashes Coalesce (2020)



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Convocation's debut record 'Scars Across' was one of 2018's best in the arena of metal, without question, and a lot of people got that wrong last year but what can you expect a from a flock of dorks that put Sleep before Thou in the same year… Has everyone lost their goddamn skull? "But Chris" you tell me "opinions are meant to be subjective, that's what's so beautiful about them, kumbaya and Hakuna Matata, my man." and I'll simply look at you and say "No."

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Finland's Convocation released Ashes Coalesce a few days ago through Everlasting Spew Records and it stands firmly as another staunch example of how to craft a song that feels heavier than a dead dog and how to adeptly maneuver around lengthy tracks without becoming frivolous and tedious through use of some impressive range. I'm purposely trying not to delve too deep into this as far as praise (or critiques) go as I have only listened fully through the one time, but through the merit of how good 'Scars Across' I am putting this one out into the ether. I will say this: In comparison to 'Scarss Across", the way in which 'Ashes Coalesce' was produced, in particular the prominence of the vocals in the mix and the omission of weight behind the kick drum in favour of clarity is something that might be too lofty for its own good, with an album cover matching in grandiosity. OF course this is more a matter of personal preference but…Gut instinct, I prefer the more primitive aspects of the former. See, I can be critical too.

How about Drown though? Holy shit.

Ashes Coalesce (bandcamp)